About
Hands Behind the Glass
Altamont, New York · 1962
I threw a football that ricocheted off one of the stained-glass windows of the Chapel. The Prefect told me to fix it. I’m guessing he reasoned my competence at this because I maintained the vehicles in the “motor pool”.
Our small college property’s buildings included an old leaning “shop” full of antiquated farm instruments and junk. I found a huge electric soldering iron which had been used on metal roofs and several toothpaste tubes I cut into lead strips and some small pieces of flat butterscotch colored bottle glass.
The end result was not pretty. What I managed to do, however, was an improvement over the 4-inch square piece of cardboard covering the broken glass at the bottom of the window. During chapel services after “the fix” I would position myself in the chapel so that I could see the light that I had resurrected. Thirty years passed before I started cutting glass again.
“There will be no more breaks.”

The work
This site presents samples of the 70 pieces I have made. The pieces follow both the Prairie and Tiffany languages and traditions.
The WORKS Gallery page currently includes images of 23 pieces I have made. The STUDIO pages contain images of the building process of 3 pieces. As time allows more pieces will be added to these pages.
The craft
Building a beautiful stained-glass work is about controlling your design, your plan of construction, and perhaps most importantly, your faithful execution of the process. No two people will perform those 3 things in the same way.
“That’s what makes it yours. And that is what makes it beautiful.”